My skin is blackMy arms are long
My hair is woolly
My back is strong
Strong enough to take the pain
inflicted again and again
What do they call me
My name is AUNT SARAHMy name is Aunt SarahMy skin is yellow
My hair is long
Between two worlds
I do belong
My father was rich and white
He forced my mother late one night
What do they call me
My name is SAFFRONIA
My name is SaffroniaMy skin is tan
My hair is fine
My hips invite you
my mouth like wine
Whose little girl am I?
Anyone who has money to buy
What do they call me
My name is SWEET THING
My name is Sweet ThingMy skin is brown
my manner is tough
I’ll kill the first mother I see
my life has been too rough
I’m awfully bitter these days
because my parents were slaves
What do they call me
My name is PEACHES–Nina Simone, Four Women
I will give you the keys of the kingdom of heaven; whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven.
Pagans and infidels are bound by the power and judgement of the keys, because those who do not believe have already been judged.
–Augustinus Triumphus, 1214-13381
On May 8, anno Domini, 2017, the NYCLU released a report detailing the “outsized role” that NYPD police officers play in the “extreme racial disparities” evident in which NYC public school students are given summonses, arrested, and “unnecessarily handcuffed.”2 3 The data indicates that in 2016, 99% of NYC public school students handcuffed in “child in crisis” incidents were coded as Black and Latinx. The so-called child “in crisis” is a student designated by NYPD police officers, school administrators, and safety officers as “displaying signs of emotional distress.” The student is handcuffed, removed from the classroom, and then remanded to a hospital setting for a psychological evaluation. An “actual” crisis, psychological, or otherwise is not necessary for the initiation of the “child in crisis” operation, simply the belief of/in one, so determined by the adjudicating authority.
The framing offered by the NYCLU locates the “problem” in the extremity of the racial disparities. The elimination of racial excess and “unnecessary handcuffing” are the stated aspirations toward keeping “students and staff safe.” In the words of NYCLU Advocacy Director Johanna Miller, “the NYPD should not treat schools as places to hunt for students they believe committed a crime off of school grounds. Students should never be afraid to go to school.” The hunters should be made to abide by the permitted bounds, the warren of their fair game limited to the gates of public schools, lest crisis grant them permission to transgress in the pursuit of safety. The “problem” is a paradox. Crisis is ever present not in the figure of the “child in crisis,” but the ever present, yet constituitively foreclosed racial crisis, and it’s incarnations, the
children of crisis. We are offered an account of “the problem” from the formation that institutes the conditions under which “the problem” emerges. An account that names “excess racial disparity” as the evil, forecloses the extension of this “solution” as but another operation of authority. Racial disparity becomes that which must be overcome in the pursuit of grace, yet the life of grace is racial.
Authority is the anima of the police and all that constitutes the legible and illegible life of the crisis. Domination obscures itself as a condition of its institution. Never in question, the decisions issuing the distinctions that render crisis legible are also the resources that extend the possibility of resolving conflict within it’s dominion. Authority is emancipation, so gleaning an essence of legitimacy from the peformative transcendence of its adjudication. Crisis is Racial Life. That what might have been a child is now annihilated, consumed in the sacramental performative act of binding evil. Hancuffed, there by the grace of god goes race.
Jared Rodríguez is a Doctoral Candidate in African American Studies at Northwestern University. Their forthcoming dissertation, Apocalyptic Blackness: The (Im)Possibility of Political Theology in Four Chapters, offers an account of the Christanity of Anti-Blackness and Racialized Modernity.
- Wilks, Michael. 2008. The problem of sovereignty in the later Middle Ages: the Papal monarchy with Augustinus Triumphus and the publicists. Cambridge: Cambridge University Press, pg. 414. Original Latin: Pagani et infideles potestate clavium ligati sunt et iudicati, quia qui non credunt iam iudicati sunt. Translation mine. ↩
- Anno Domini is Latin for year of the/our Lord (Christ). ↩
- City School Safety Data Shows Handcuffs Used Disproportionately On Black And Latino Children, https://www.nyclu.org/en/news/city-school-safety-data-shows-handcuffs-used-disproportionately-black-and-latino-children ↩
MIRANDA: But who is that? He doesn’t look very benevolent! If I weren’t afraid of blaspheming, I’d say he was a devil rather than a god.
ESHU: (Laughing) You are not mistaken, fair lady. God to my friends, the Devil to my enemies! And lots of laughs for all!
–Aimé Césaire, A Tempest1
I met the devil on a Saturday morning cartoon. Crimson, horned, and fully Technicolor with pitchfork in tow, the devil rode the shoulder of a cartoon cat named Tom. After the devil’s first attempt at convincing Tom to murder his cat compatriot and keep their mouse bounty for himself he began slapping the cartoon cat while exhorting “Now listen here, you’re a citizen ain’t ya? Ya got rights. That mouse was yours first. You had priorities on it. Okay then. Plant that axe in his toupee and you’ll have that cheese-napper all to yourself. Go on, swing it.” In true Tom and Jerry fashion, the axe blade slides off of the handle as he brings it down on his buddy’s head and all Tom gets for his
troubles are the bumps and bruises of a lesson unlearned when the mouse escapes in the course of the tussle he greedily initiated. Tom clearly couldn’t hear me shouting at the tv, “don’t do it,Tom!” “That’s Eleggua, It’s a trap!” Tom and Jerry introduced me to the Western figure of the the devil, one I could only understand in the shadow of the Orisha syncretized with the Christian Devil, Eshu.2 Adam Kotsko’s The Prince of This World stands in the fine company of Tom and Jerry in continuing my education in the strange and mysterious folk-ways of Christianity’s Devil.3
Continue reading “In the Shadow of Eleggua: The Prince of This World book event”