Join InterCcECT for another session on Hegel’s Encyclopedia Logic, this Friday, 13 May, 3pm at The Bourgeois Pig (Red Line: Fullerton). We’ll continue with Sections 19-36 – let us know if you need the readings. And contact us to propose additional summer events!
InterCcECT will host a series of reading groups this summer, and the first focuses on the beginning of Hegel’s Encyclopedia Logic (Prefaces and Sections 1-18). Join us Friday, 6 May, 2:30pm at the south loop’s Little Branch Cafe, 1251 S Prairie Ave (Roosevelt “L”). Drop a note to interccect at gmail if you need the readings (we are using the Hackett Classics Edition/ Translation). As always, contact us to propose events, and follow us on Facebook for frequent links.
Through what processes of mediation, under what circumstances, down which paths of struggle, can colonialist iconography be appropriated for anti-colonial nationalism? What are the wages of the image for the work of sovereignty? Is photography trans-contextual?
InterCcECT is delighted to present Casablanca Retro: Colonial Photography, History and Memory in Postcolonial Morocco, a talk by Patricia Goldsworthy Bishop. Join us Thursday, 5 November, 7pm, at the arts & events space of our partners Sector 2237,2337 N Milwaukee Ave (Blue Line: California).
Throughout the colonial era photographers such as Marcelin Flandrin, an Algerian pied-noir who settled in Morocco at the establishment of the protectorate, collaborated with the government and tourism boards to construct a European vision of North African society and history. Known as the photographer of Casablanca because of his heavy involvement with the Protectorate government, after independence Flandrin’s work was criticized for reproducing Orientalist stereotypes and supporting the colonizing mission. Since the 1980s, however, Moroccan cultural, educational, and financial institutions have reinterpreted Flandrin’s images in order to resituate the protectorate as a part of Moroccan, rather than French, history. This talk traces Flandrin’s transformation from an archetypal French colonial photographer to a part of Moroccan heritage through an analysis of Flandrin’s 1928 and 1956 publications on photographs of the city of Casablanca (Casablanca from 1889 to the Present) and their subsequent reprinting by Moroccan scholars in 1988 (Casablanca Retro). Through the reinterpretation of these images and the appropriation of Flandrin by Moroccans, we can see the process of writing, resisting, and revising history and the instrumental role played by imagery in this process in colonial and post-colonial Morocco.
To propose or announce events, contact us at intercecct @ gmail, or find us on Facebook.
What must a map of the world depict? What aesthetic forms can “map” late capitalism, critically disclosing its dynamics and its totalizations? What is the difference, aesthetically and politically, between a representation of capital and a representation of class antagonism?
InterCcECT is delighted to partner with Gallery 400 for a special lecture by visiting scholars Alberto Toscano and Jeff Kinkle, authors of Cartographies of the Absolute. Revisiting and revising the themes in their book, Toscano & Kinkle will discuss arts of capitalism and arts of the state.
May we suggest Cartographies in the Los Angeles Review of Books?
Wednesday 2 September, 6:00pm
Gallery 400 Lecture Room
400 S Peoria St
Amidst growing protests against systemic and state-administered premature death, and beyond #hashtagactivism, calls for a new black radicalism are resounding. In The Undercommons: Fugitive Planning and Black Study, Stefano Harney and Fred Moten advocate for “the undercommons” as a subject of such radicalism, “the prophetic organization that works for the red and black abolition…not so much the abolition of prisons but the abolition of a society that could have prisons, that could have slavery, that couple have the wage, and therefore not abolition as the elimination of anything but abolition as the founding of a new society.”
Join InterCcECT for a reading group on The UnderCommons, chapters 0-6, on Thursday 9 July, 4pm (purchase the text or follow the link to a free version made available by the publisher).
VENUE CHANGE: La Haven Coffee, 1241 S Michigan. (Roosevelt Station)
Our session on Foucault’s The Order of Things proved rousing; we’re going to continue with chapters 4 and 5 (“Speaking”; “Classifying”). Join us again next Monday, 8 June, at 4pm, at Moody’s Pub (in the garden, weather permitting). As always, InterCcECT welcomes proposals for summer projects; find us on Facebook or send us an email.
After his critique of the clinic, and as a prolegomena to his theory of power, Michel Foucault outlined a distinct regime of knowledge that pivoted upon a new concept of “representation” – a Kantian sense of the limits of mental representations and the promise of formal representations. Modern knowledge, for the archaeological Foucault of Les Mots et Les Choses (translated as The Order of Things), is distinguished not only by its representational ethos, but by its agency in generating and congealing worldly relations: once words are thinkable as representation rather than as coincident with things, “discourse” is thinkable as a force of ordering things.
InterCcECT kicks off summer with a multi-session reading group on this crucial moment in Foucault’s thought. Join us Monday June 1st at 4pm, in the garden at Moody’s Pub (red line: Thorndale). We’ll be starting with the first three chapters from Part 1 of The Order of Things (Las Meninas, The Prose of the World, & Representing). Contact us for the readings.
What are your summer ambitions? As always, we welcome proposals and initiatives for events ranging from reading groups to field trips, works-in-progress sessions to pub afternoons.
In our sights: