Two requests for suggestions

Last year’s instructors of Humanities 1 (Art and Music) developed a new format for the class that is loosely organized around Ovid’s Metamorphoses, a text that has inspired a lot of art and music and is also in large part about human creativity. There were, however, a couple things that didn’t fit as well into that framework, including Svetlana Alpers’ The Vexation of Art: Velasquez and Others. The goal was to provide some art criticism from a woman in a class where it is otherwise difficult to find women’s work to include — and so I ask you, dear readers, if anyone by chance knows of another work of art criticism by a woman that has more direct overlap with art inspired by Ovid. (I know this is a weirdly specific request and probably something of a long-shot.)

In addition, for my elective over Being and Time, I have tentatively decided to begin with a couple days each on phenomenology and hermeneutics, then work through The Concept of Time (i.e., the unpublished book review that is billed as “the first draft of Being and Time,” not the lecture series with a similar title). Given that we’ll be reading through Being and Time in painstaking detail, I thought using his shorter “first draft” would be a good way to get an overview of the project as a whole without biasing them toward any particular scholar’s interpretation of it. A colleague of mine has a good text of Husserl’s in mind, and another has recommended some passages from Gadamer — but I would prefer to use Dilthey if possible, given that that’s who Heidegger is directly discussing. Does anyone know of a good essay or chunk that we could spend a day or two on?

Please note: I am not planning to use any secondary sources for the Heidegger course, so I would prefer that you not make any recommendations of that kind. (And just to make sure: yes, I am aware of Simon Critchley’s online introduction to Being and Time.)

“The Word of God Was Messing With Us”

One surprise I have found in reading Origen of Alexandria (c. 185-253 AD) is that he believes that there are intentional mistakes, impossibilities, and strange things inserted into the Hebrew and Christian Scriptures in order to conceal deeper meanings from the multitudes, and invite investigation from the wise. Origen’s allegorical interpretation of sacred scripture is well-known, but probably less-known is his contention that the divine inspiration of scripture was intentionally tricky. Consider the following quotations: Continue reading ““The Word of God Was Messing With Us””