When someone begins to study European philosophy and theory, or Continental philosophy as the unhelpful designation goes, the focus is usually on the traditions of French and German philosophy (leaving the term analytic to denote the work of the British, those living on that island off the coast of Europe proper). The relationship between this kind of national identity and those philosophers varies. Oftentimes the position of these philosophers disappoint us, as with Bergson during World War I writing about “French spirit” needing to overcome the “German barbarism” or Heidegger during the rise of the Nazi party in Germany doing much the same with more horrific results. But there is something to naming these traditions if only because the way in which language and location shapes one’s thinking, to say nothing of the importance of particular political situations that arise within these fictional but nonetheless efficacious spaces of the various nation-states. Italian philosophy has largely been ignored by those anglophone readers interested in European thought. This despite the fact that the fictional element of the nation-state is perhaps nowhere better on display than Italy, which never quite coalesced its various cultures into a singular Italian culture the way that French republicanism did. This creates an interesting dynamic and leads to a different style of philosophy. This seems to me to hold especially true for leftwing theorists and perhaps arises from what Roberto Esposito identifies as the clear manifestation of antagonism within the Italian context. Nothing like Italy the nation-state exists except through the process of conflict, the creation of antagonism that continues when Italy the nation-state has to become a part of Europe the economic union.
Italian philosophy has long been an interest for many authors here, with Adam’s work on Agamben and my own less intenstive work on Negri, as well as with many of our readers. We have here discussed Esposito’s attempt to reclaim the distinctiveness of Italian philosophy, already mentioned, and many readers will be familiar with the collection edited by Lorenzo Chiesa and Alberto Toscano The Italian Difference with re:press. So I was excited to see that Alberto was editing a new series called The Italian List with Seagull Books (which has the support of the University of Chicago Press, but apparent autonomy from the usual deadends of academic publishing). While the list has published three shorter texts by Agamben, I wanted to highlight the lesser known figures that Alberto and Seagull Books were bringing to a new audience. In what follows you will find a conversation between Toscano and myself as well as a few side remarks where I provide some summary information about the texts. Because of the length of this post I have also generated it as a PDF for those who prefer that medium for reading longer texts. Continue reading “Untimely Italians: A Profile of The Italian List and Interview with Alberto Toscano”