I was reminded of this talk last night, which I gave on February 18, 2018, at Marquette University at the invitation of Gerry Canavan, and realized I had never posted it anywhere. Events in both series have overtaken some of my claims, but I present it in its original form, for the record….
Thank you, Gerry, for the generous introduction and the invitation to speak here today on this urgent topic. You already provided me with the opportunity to publish my first peer-reviewed article on Star Trek—establishing me as an official Star Trek scholar, a title I brandish proudly—and here today you have given me a fresh chance to transmute my TV obsessions into academic productivity. It was a great pleasure to rewatch all of BoJack in the last month with the ready excuse that it was for my research, a trick that I have been pulling over and over in the course of my academic career.
Of course, this form of time-laundering is not always equally plausible. My partner and I have been watching old reruns of Frasier, for instance, and there is no possible academic project that would strictly require me to watch every single variation on their relatively narrow bag of tricks. The essence of Frasier, as with most sitcoms, could be distilled into ten episodes or less without really missing anything—other than the comfortable feeling of slipping into the grooves of a well-worn routine.
Things are different with BoJack Horseman and Rick and Morty. These are not shows that are designed to be watched half-attentively. They reward rewatching and reward analysis. Continue reading “Animated Nihilism: Rick and Morty, Bojack Horseman, and the Strange Fate of the Adult Cartoon”